11th Annual VES Awards

Below is the complete list of Winners and Nominees for the 11th Annual VES Awards. A sortable list for ALL years of VES Award winners / nominees can be found on the Previous VES Awards page. All archival viewing materials are cleared for viewing by logged-in VES members behind the VES website firewall. For more information, please review the VES Awards Rules & Procedures, Section 14: Ownership & Clearances here.

View the category of the nominees and winners below.

Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture

This award is to honor the overall achievement of the visual effects within a live action motion picture where the visual effects are a visible, essential, and integral part of the story and play a principal and active role in the motion picture. A rule of thumb for defining whether a motion picture would be considered effects-driven would be to ask if the story could be told without the active participation of the VFX (including Special Effects). On the whole, the VFX in an effects-driven film would be easily identifiable by the viewing public and professionals working in the VFX field.

Fully animated films are not eligible in this category.

Outstanding Supporting Visual Effects in a Feature Motion Picture

This award is to honor the overall achievement of the visual effects within a live action motion picture where the visual effects play a supporting, minor or background role in the telling of the story. Supporting visual effects, when taken as a whole, may help create the setting, environment, or mood of an entire film, but are generally intended to be subtle or invisible to the lay viewer. They do not consist of a significant number of CG characters, science fiction or fantasy elements, and other highly visible effects that one would expect to see in a visual effects-driven or “tent pole” film.

Effects-driven films may not enter their “invisible” effects in this category, and animated films are not eligible.

Outstanding Visual Effects in a Broadcast Program

Outstanding Supporting Visual Effects in a Broadcast Program

This award is to honor the overall achievement of the visual effects that play a supporting or background role within a single episode of a broadcast series, miniseries, made-for-television movie, or special wherein the visual effects are not necessarily essential to the telling of the story in the way that the effects of an effects-driven broadcast program are. Supporting visual effects, when taken as a whole, may help create the setting, environment, or mood of an entire program, and are generally intended to be invisible to the lay viewer. They do not consist of a significant number of CG characters, science fiction or fantasy elements, and other highly visible effects that one would expect to see in a visual effects driven broadcast program.

Outstanding Visual Effects in a Commercial

Outstanding Visual Effects in a Special Venue Project

The award is to honor the overall achievement of the visual effects within an entire Special Venue project. Special Venues are defined as installations specifically set up to project large-format films (e.g. IMAX or OMNIMAX theaters), theme park theaters that may include a motion-based ride, museums, World Fairs, and similar venues.

To be eligible, a Special Venue project must have been exhibited publicly:

• In a commercial venue for a paid admission, which may include the general admission to a theme park or special venue theater;
• For a minimum period of one week on a regular daily schedule; and
• Premiered in the current awards year in a Special Venue theater as defined above.

The following are not eligible in this category, regardless of the material’s original capture format:

• Special purpose events such as trade shows and conventions;
• Video material generally referred to as “pre-show” material;
• Repurposed films, i.e. projects initially intended for the theatrical market but which have been blown up for exhibition in large-format Special Venue theaters;
• Projects that were created as conventional 2D theatrical presentations but have been repurposed to stereographic 3D;
• Any 2D or stereographic 3D feature motion picture that either premiered first, or simultaneously, in any regular movie theater or in any broadcast medium;
• Any project that runs for an equal or greater amount of time in any regular movie theater or in any broadcast medium; and
• Movies intended for simultaneous distribution in both Special Venue and normal movie theaters. The intent of this category is to honor those projects made specifically for the Special Venue market.

Outstanding Animation in an Animated Feature Motion Picture

This award is to honor the overall achievement of the animation within an entire animated motion picture. The animation may be created by traditional cel animation, computer animation, and/or stop motion, as long as it meets the definitions of Animation and Animated Project as stated in the Appendix of this Rules & Procedures. The vocal performance of characters may be taken into consideration along with the visual qualities in evaluating the overall effectiveness of the animation.Title sequences are not eligible in this category.

Outstanding Animated Character in a Live Action Feature Motion Picture

This award is to honor the overall achievement in a single animated character in a live action motion picture. The character may have been created by any technique or combination of techniques, including animatronics, as long as it meets the definition of Animation as stated in the Glossary of these Rules & Procedures.

Title sequences are not eligible in this category.

Outstanding Real Time Visuals in a Video Game

Outstanding Animated Character in an Animated Feature Motion Picture

This award is to honor the overall achievement in a single animated character in an animated motion picture. The character may have been created by any technique or combination of techniques, including animatronics, as long as it meets the definition of Animation as stated in the Glossary.

Title sequences are not eligible in this category.

Outstanding Animated Character in a Broadcast Program or Commercial

This award is to honor the overall achievement in a single animated character in a broadcast program or commercial. The character may have been created by any technique or combination of techniques, including animatronics, as long as it meets the definition of Animation as stated in the Glossary. The character may or may not be photorealistic.

Title sequences are not eligible in this category.

Outstanding Created Environment in a Live Action Feature Motion Picture

This award is to honor the overall achievement of a single created environment in a live action motion picture that best creates an illusion of setting for the story being told. Created environments are defined as either completely artificial environments, or the enhancement of an existing practical set or location through the addition of elements not present during photography. The environment may occur more than once in the project and under different conditions, but must be the same environment, created by the exact same team.

This category judges not only the techniques for creating the environment, but also their integration with any practical plate photography. Before & Afters must show the integration of the multiple elements used to create the environment.

Stereo extractions of environments that do not contain any other significant enhancements or fully animated productions are not eligible in this category. For practical purposes, the environment should be a single setting within the story, and not, for example, all locations within an entire city.

Outstanding Created Environment in an Animated Feature Motion Picture

This award is to honor the overall achievement of a single created environment in an animated motion picture that best creates an illusion of setting for the story being told. The environment may occur more than once in the project and under different conditions, but must be the same environment, created by the exact same team.

Before & Afters must show the integration of the multiple elements used to create the environment.

Stereo extractions of environments that do not contain any other significant enhancements are not eligible in this category. For practical purposes, the environment should be a single setting within the story, and not, for example, all locations within an entire city.

Outstanding Created Environment in a Broadcast Program or Commercial

This award is to honor the overall achievement of a single created environment in a live action broadcast program that best creates an illusion of setting for the story being told. Created environments are defined as either completely artificial environments, or the enhancement of an existing practical set location through the addition of elements not present during photography. The environment may occur more than once in the project and under different conditions, but must be the same environment, created by the exact same team.

This category judges not only the techniques for creating the environment, but also their integration with any practical plate photography. Before & Afters must show the integration of the multiple elements used to create the environment.

Stereo extractions of environments that do not contain any other significant enhancements, or fully animated productions, are not eligible in this category. For practical purposes, the environment should be a single setting within the story, and not, for example, all locations within an entire city.

Outstanding Virtual Cinematography in a Live Action Feature Motion Picture

This award honors the art of cinematography within the digital realm of a live action feature motion picture. Digital Cinematography is defined as the outstanding use of traditional cinematography techniques to communicate story and mood in a live action feature film, such as light direction, color, camera framing or movement, and depth of field within a primarily CG scene. It recognizes the combined collaborative work of pre-vis and layout artists, the lighting/CG supervisor, shot lighters, animators, and similar artists within this creative and interpretive process. Judges are to consider the use of light and camera in the scene, but are NOT judging the details of the models or environments that are being lit (these should compete in the Created Environment category). In the case of a live action movie, the film’s Director of Photography may be included among the entrants if, and ONLY if, he/she had a significant hands-on role in the final look of the CG elements.

Outstanding Virtual Cinematography in a Broadcast Program or Commercial

This award honors the art of cinematography within the digital realm of a live action broadcast program or commercial. Digital Cinematography is defined as the outstanding use of traditional cinematography techniques to communicate story and mood in a broadcast program or commercial (live action or animated), such as light direction, color, camera framing or movement, and depth of field within a primarily CG scene. It recognizes the combined collaborative work of pre-vis and layout artists, the lighting/CG supervisor, shot lighters, animators, and similar artists within this creative and interpretive process. Judges are to consider the use of light and camera in the scene, but are NOT judging the details of the models or environments that are being lit (these should compete in the Created Environment category). In the case of a live action program, the program’s Director of Photography may be included among the entrants if, and ONLY if, he/she had a significant hands-on role in the final look of the CG elements.

Outstanding Models in a Feature Motion Picture

This award honors the art of cinematography within the digital realm of a live action broadcast program or commercial. Digital Cinematography is defined as the outstanding use of traditional cinematography techniques to communicate story and mood in a broadcast program or commercial (live action or animated), such as light direction, color, camera framing or movement, and depth of field within a primarily CG scene. It recognizes the combined collaborative work of pre-vis and layout artists, the lighting/CG supervisor, shot lighters, animators, and similar artists within this creative and interpretive process. Judges are to consider the use of light and camera in the scene, but are NOT judging the details of the models or environments that are being lit (these should compete in the Created Environment category). In the case of a live action program, the program’s Director of Photography may be included among the entrants if, and ONLY if, he/she had a significant hands-on role in the final look of the CG elements.

Outstanding FX and Simulation Animation in a Live Action Feature Motion Picture

Outstanding FX and Simulation Animation in an Animated Feature Motion Picture

Outstanding FX and Simulation Animation in a Commercial or Broadcast Program

Outstanding Compositing in a Feature Motion Picture

This award is to honor outstanding achievement in compositing multiple elements into a final visual effect shot or group of shots in a live action feature motion picture. This category is for a body of work created for a single motion picture by an individual artist or team of artists.

Multiple entries from the same project are eligible provided the compositing teams are 100% different and the shots being submitted are completelydifferent. Title sequences are eligible as long as:

• They are submitted in textless form in order not to conflict with any other awards rule; and
• They are part of the storytelling and are not a specially designed separate animated title sequence in a live action project.

Animated films are not eligible in this category.

Outstanding Compositing in a Broadcast Program

Outstanding Compositing in a Commercial

Outstanding Visual Effects in a Student Project